Stadt: Nancy (Frankreich)

Beginn: 2019-09-26

Ende: 2019-09-27

URL: https://machinerlapoesie.wordpress.com/conferences/nancy-2019/

Plotting Poetry (and Poetics) 3 – Machiner la poésie (et la poétique) 3
at the ATILF laboratory in Nancy on 26-27 September 2019

organised by Anne-Sophie Bories (Universität Basel) and Véronique Montémont (ATILF)

keynote lectures by Jan-Christof Meister (Universität Hamburg) and Anne Bandry-Scubbi (Université de Strasbourg)

https://machinerlapoesie.wordpress.com/conferences/nancy-2019/

Programme:

Thursday, 26 September

9:00-9:30 Ophir Münz-Manor (Universität Hamburg & The Open University of Israel)
Hebrew Liturgical Poetry from Late Antiquity: Preliminary Computational Explorations

9:30-10:00 Helena Bermúdez Sabel(1), Clara Martínez Cantón(2), Pablo Ruiz Fabo(3) ((1)Université de Lausanne, (2)UNED, (3)Université de Strasbourg)
DISCOvering Spanish Sonnets: A close/distant reading experience

10:00-10:30 Mari Sarv (Estonian Folklore Archives)
Exploring variation in Estonian folksongs: language, meter, topics, genres

10:30-11:00 coffee break

11:00-11:30 Éliane Delente (CRISCO)
Le traitement automatique du rythme régulier. Un cas particulier : l’enjambement

11:30-12:00 David Birnbaum(1), Elise Thorsen(2) ((1)University of Pittsburgh, (2)Novetta)
Rules-based and machine-learning approaches to identifying Russian rhyme

12:00-12:30 Petr Plecháč (Institute of Czech Literature, Czech Academy of Sciences)
Yet another fresh confirmation of Mr. Spedding‘s division of the play of Henry VIII

12:30-14:00 lunch

14:00-15:00 Keynote Lecture by Anne Bandry-Scubbi (Université de Strasbourg)

Zooming in, zooming out: 30 years of Corpus Stylistics Bricolage

15:00-15:30 coffee break

15:30-16:00 Chris Mustazza (University of Pennsylvania, PennSound)
In Search of the Sermonic: Hearing Sonic Genre in Poetry Recordings

16:00-16:30 Valérie Beaudouin (Télécom Paris)
Rap et métrique

16:30-17:00 Jonathan Armoza (New York University)
Hayford’s Duplicates: Operationalizing a Literary Theory of Herman Melville’s Moby-Dick

19:30 Conference dinner

Friday, 27 September

9:00-9:30 Steffen Eger(1), Jörg Wöckener(1), Tristan Miller(2), Luise Borek(1), Thomas Haider(3) ((1)Technische Universität Darmstadt, (2)Austrian Research Institute for Artificial intelligence, (3)Max Planck Institute for Empirical Aesthetics, Frankfurt)
Controlling Style in Machine Generated Poetry

9:30-10:00 Rémi Forte (ANRT)
Poetic Program, Typographic System

10:00-10:30 Pablo Gervas (Universidad Complutense)
N-Gram Driven Word Level Recombination: Exploring a Search Space of Metrically Valid Verse

10:30-11:00 coffee break

11:00-11:30 Natalie Houston (University of Massachusetts – Lowell)

Distant Reading the Semantic Field of English Poetry

11:30-12:00 Ines Rehbein (Leibniz ScienceCampus, Heidelberg University)
Assessing the impact of topic versus author style in expressionist poems

12:00-12:30 Benjamin Krautter(1), Janis Pagel(1), Nils Reiter(1), Marcus Willand(1,2) ((1)University of Stuttgart, (2)University of Heidelberg)
Identifying Character Types in German Drama

12:30-14:00 lunch

14:00-15:00 Keynote Lecture by Jan-Christof Meister (Universität Hamburg)

15:00-15:30 coffee break

15:30-16:00 Guillermo González Pascual (Universidad de Valladolid)
Exploring stylistic consistency in Antonio Machado’s early and forgotten poems

16:00-16:30* Clémence Jacquot* (Université Paul-Valéry Montpellier 3)
Enjeux de l’annotation stylistique des motifs romanesques pour interroger la poétique des textes romanesque

16:30-17:00 Georgy Vekshin, Marina Lemesheva, Egor Maksimov (Moscow Polytechnic University)
Poeticisms and Common Poetic Discourse in the Digital “Russian Live Stylistic Dictionary”

17:00 end of conference

Beitrag von: Anne-Sophie Bories

Redaktion: Christoph Behrens